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megaman2:

“there’s nothing wrong with the video game community”




"

A catcall is entirely about reminding you that you are not yours. The purity myth is entirely about reminding you that you are not yours. The fetishization of female purity in a world where catcalls are an acceptable form of communication telegraphs one thing very clearly:

“Women, stop sexualizing yourselves—that’s our job, and you’re taking all the fun out of it.”

The sexualization of women is only appealing if it’s nonconsensual. Otherwise it’s “sluttiness,” and sluttiness is agency and agency is threatening.

"

- “Female ‘Purity’ is Bullshit”, by Lindy West (at jezebel.com)




judgementalcersei:

cw: abuse, rape. asoiaf book spoilers

put this post behind the cut because it’s not fully thought out and obviously not everyone needs this on their dashes, but here are just some things i have been thinking wrt to cersei lannister and her narrative which is tangentially related to some of the recent discussion abt her. 

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i remember someone talked about this once, with me, and it really is disturbing as hell. fathers and older brothers get “over”protective because they know just how terrible and horrible men are towards women.




4 me a weird (”weird” lol. horrific) thing abt the whole over-protective dad/older brother/etc (wrt 2 like U CAN NVR LOOK @ BOYS & all that) thing is that we can look @ that fear 1 of 2 ways, I think: either a) an irrational gross fear of their daughters/sisters/etc being sexual agents who CHOOSE 2 b sexual, which 2 an extent I think it definitely is, but also b) a rational fear that their daughters/sisters/etc will be raped by some1.

but see, the thing is, thing about that second one IS—these overprotective older male figures so often say things like ‘I remember what it was like to be a teenage boy, I don’t trust any of em’ etc etc etc. so basically. the implication. is that. they remember being young men who WOULD HAVE OR ACTUALLY CONTEMPLATED ETC raping young women?????????

wow

wow

do u c what I am saying here?????????




zemmer:

zieli:

amaeza:

untruc:

amaeza:

you know, i’m a raging lesbian and i was never distracted by what other girls in my classes were wearing in high school. this is a male problem, not an “attracted to women” problem.

This is an “inability to respect women” problem.

Which is a male problem.

No, it’s an “inability to respect women” problem.

I mean. There are plenty of gay males out there.

If you are implying that all gay men are respectful to women, you are mistaken.




"

I wanted to make a strong mother character. The portrayal women in epic fantasy have been problematical for a long time. These books are largely written by men but women also read them in great, great numbers. And the women in fantasy tend to be very atypical women… They tend to be the woman warrior or the spunky princess who wouldn’t accept what her father lays down, and I have those archetypes in my books as well.

However, with Catelyn there is something reset for the Eleanor of Aquitaine, the figure of the woman who accepted her role and functions with a narrow society and, nonetheless, achieves considerable influence and power and authority despite accepting the risks and limitations of this society.

She is also a mother… Then, a tendency you can see in a lot of other fantasies is to kill the mother or to get her off the stage. She’s usually dead before the story opens… Nobody wants to hear about King Arthur’s mother and what she thought or what she was doing, so they get her off the stage and I wanted it too. And that’s Catelyn.

"

- George RR Martin on Catelyn Stark (via paninyas)




"[T]he TV show has turned Catelyn into every trope that the books attempted to subvert. She is the interfering mother, the wicked stepmother, the female character who puts her emotions above common sense. And when she can’t fill any of these roles — when she would need to simply be a character like any other — she is shoved into the background and replaced with boy kings, love interests, and even her newly introduced brother.

The only role that she hasn’t yet filled is the Evil Queen. How lucky that this trope will come along soon enough. In it, she can be both stereotyped and silenced, as the wicked crone whose words must be interpreted by others."

- The Silencing of Catelyn Stark - Rhiannon at Feministfiction.com (via ofdarkwater)




the beggar and the king: Medusa wasn't always a monster. 

thebeggarandtheking:

queennubian:

She was once the a beautiful virgin shadow maiden of Athean. After Poseidon rapes Medusa in Athena’s temple, Athena punishes Medusa….making her the embodiement of death and damning her to a life of solitude.

What does this say about society then, and now?

Well, the myth that tells Medusa’s metamorphosis into a monster as a punishment by Athena is the patriarchal Roman version. The ancient Greek myth, which has closer ties to its progenitor, the Egyptian tale of Wadjet, tells us that Athena gifted Medusa with ugliness and the power to turn men to stone as a way of protecting her from further violations of her person. Even so, her ugliness was emphasized in the Roman retelling as a way to further demonize and disenfranchise Medusa (i.e. she only lashed out on men because she was too ugly to be loved by them, her ugliness forced her into seclusion from men, ugly women are bad, etc. ((I am ironically using abbreviations for Latin words here yes)).). As the original myth tells it, she lived in solitude because she did not wish to be around men after what Poseidon had done. And Athena gave her the power to never be at the mercy of a male again. So originally, Athena was pissed at Poseidon, not Medusa. And then, of course, the Romans took it one step further and had Perseus behead her (yay the vindictive old hag is dead) and give it to Athena for her shield.

But yeah, renderings of Medusa’s head appeared in the doorways of many women’s shelters in ancient Greece because she was a symbol of female empowerment, not a monster feared by men and women alike.

This brings me to my awkward segue into a cool essay on the subject: The Laugh of the Medusa by Helene Cixous actually touches on the system of misogynistic fear behind the Romanized version, but most importantly why women need to write their stories because this is the shit that happens when dudebros get ahold of them. It’s also an awesome overture to queer theories of writing. If you can read French, I highly suggest getting your hands on the essay as it was originally written, because Cixous’ voice is just incredibly inspiring when you read it as she intended it to be read. Also, the essay itself is worthy of criticism as it is not as intersectional as it absolutely needs to be. I feel I should add that before someone thinks I advocate the problematic things she says.

But now that I’ve totally digressed from my original point: It’s important that we’re always mindful to question the credibility of those telling us not only history, but also legend.

(I became absolutely exhausted halfway through this so forgive me if the connection I’m making between the original post and this essay is more arbitrary than I think it is at the moment)




"3 percent of the decision-making in media comes from women. That means 97 percent of how women are portrayed is decided on by men."
-

Independent Lens, PBS
“Wonder Women! The Untold Story of American Superheroines” (via ihopeyoucontinue4ever)

It also means that 97 percent of how men are portrayed in media are decided on by men. Something to remind MRAs and their ilk of when they complain about the stereotype of men as inept slobs, bad fathers, etc in media and advertising.

Men have the power. So when we men are shat on by the powers that be you don’t get to try and blame women for that.

(via karethdreams)